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Blast​!​!​! (HOARDED DETRITUS)

by Interzona

/

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  • Cassette + Digital Album

    dubbed over commercial cassette tapes, mostly of olde-tyme radio programs. no 2 alike.
    what a great idea, I'm so glad somebody finally decided to do this.

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1.
Blast I 21:16
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2.
Blast II 20:07
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about

This is the first in a series of recycled cassettes we are doing, called "Hoarded Detritus". Noise releases dubbed over commercial recordings. The first tape in this series is by a phenomenal harsh noise artist from Brazil named Interzona. His piece here is called "BLAST!" I mean, do you even need to know any more? He's had numerous online releases but he's so good that we wanted to break him out of the digital-only swamp and put him on tape. 42 minutes of merciless, masterful noise. Original tapes are not duplicates- each one is one of a kind and thus each copy will sound slightly different. Please nobody tell RRR Records about this.

Daint Recordings 05

credits

released August 10, 2020

contact Interzona at: plasmodiumverminal@gmail.com

Idealizado por Jean Souza, também responsável pelo Suzana’s Bauten, e com um catálogo extenso de produções lançadas, busca explorar a antimúsica, a experimentação não-comerciável que não pode ser chamada de popular.

Inspirado pela literatura, quadrinhos e filmes, traz na bagagem a tentativa de transcrever em ruído o sentimento de desesperança e de cansaço para com o mundo. Com o nome inspirado pela obra Naked Lunch de William Burroughs, misturado às vanguardas como o Dadaísmo e o Surrealismo, além da sujeira do hardcore, do metal extremo, do noise rock barulhento dos anos 1990, do caustico noise japonês, industrial old-school e dark ambient, busca uma identidade musical distinta e marcante.

Seus temas giram em torno do futuro cyberpunk, marcado pelo egocentrismo, a desesperança, a falta de afeto e tudo que o capitalismo nega aos que nele não podem se encaixar.

Tudo isso feito com sons captados do ambiente e descontruído
Press-Release Interzone
Genre: Industrial / Noise
Historic
Created by Jean Souza, also responsible for Suzana’s Bauten, and with an extensive catalog of released productions, it seeks to explore antimusic, non-marketable experimentation that cannot be called popular.
Inspired by literature, comics and films, he carries with him the attempt to transcribe in noise the feeling of hopelessness and tiredness towards the world. Named after William Burroughs' Naked Lunch, mixed with avant-garde such as Dada and Surrealism, as well as the filth of hardcore, extreme metal, noisy noise rock from the 1990s, caustic Japanese noise, old-school industrial and dark ambient, seeks a distinct and striking musical identity.
Its themes revolve around the future cyberpunk, marked by egocentrism, hopelessness, lack of affection and everything that capitalism denies to those who cannot fit into it.
All this done with sounds captured from the environment and relaxed in editing programs, in a rustic, brutal atmosphere.
text by Fabio Melo
In portuguese texto escrito por Fábio Melo

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Daint Recordings Connecticut

Noise for posers.
Est. whatever year noise was popular.

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